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All football fanzines, e zines call them what you want can trace their ancestry back to punk zines from the late seventies like Sniffing glue and ripped and torn.

Punk appeared as an antidote to overblown prog  rock  but also spawned alternative ways of thinking including a diy ethos that led to Punk fans setting up their own alternative form of off the wall journalism in the form of  fanzines.

By the eighties a similar change in radical thought was witnessed of the pitch within football. The football fanzine was born although who was first is open to claims from Bradford to York. Within a short period of time a phenomenon was taking place as seemingly every team had fans cobbling all kinds of irreverent thought together with the aid of tippex, typewriters and scissors.

By the late eighties hundreds of fanzines had appeared all offering alternative view of the clubs away from the conservative world of the tabloids, stuffy programmes and publications for kids only like shoot. Throughout this fan led phenomenon one clear theme emerged bonding all these zines together, Football is about fans and does not belong to a small elitist groups of monied Chairman, its about all of us.

Bristol City has had numerous fanzines of varying quality but one set a bench mark which has never been met since namely the Bountyhunter. Regular this fanzine was not and the word intermittent could have been invented for it. But within its fifty mirth filled pages was more detail and more passionate, wacky, intelligent thought about all things Bristol City than has ever been put together since. No subject was taboo from Andy Mays inability to take penalties, Leslie Kews haircut, Roger Malone  to the Police.

When the Bountyhunter did appear it was essential reading and often provided more entertainment than the game and I can remember fans heading up to the top of  Park Street to the sadly missed Revolver records to buy just the fanzine due to its quality.

Issue one of Three Lions and a Robin stated very unashamedly that this on line fanzine is influenced by the Bountyhunter and it is very true. We have not come anywhere close to recreating the Bountyhunters standard though even with all there is at our disposal compared to the Bountyhunters real early cut and paste jobs.

If your bigger Brother, Dad or whatever has a copy do not miss the opportunity to read it. So in honour of the Bountyhunter here follows an article from issue eight about floodlights [what else!].

It's pretty much common knowledge now that The Boutyhunter has been hibernating for so long because of the tragic fall from (Godlike) grace and subsequent departure of Sir Bob Taylor. We're not ashamed to admit this. However, our tearful mourning increased - quadrupled you could say - by the very sad loss of four dear, dear friends this summer just past. We're talking here about the glorious Ashton Gate floodlights (RIP).

We are still enduring considerable torment over this wanton, mindless act of vandalism. Who the hell is responsible? (Presumably, it was Les and his mates, but they're all great blokes now, what with all the big dosh they've been spending. So we won't have a bad word said against them). We just cannot come to terms with the fact that those four mighty, majestic towers of glory, splendour and, um, electricity are simply no longer there. Gone. No more.


Driving over the Cumberland Basin (aka Mark Gavin's Haircut) for the first time since this heinous architectural crime, the feeling of emptiness and loss was overwhelming (like when Andy May signed for Millwall). When those fine upstanding citizens protested over at Golden Hill, we sympathised. When tress were finally butchered, we knew exactly how you felt, comrades.

We are far from alone in our grief. A top member of this publication's old sales team and occasional contributor shares our heart felt sentiments. Manys the time he sang the praises of The Gate's lights, often late at night on the last bus into town. The temple would come into view and he'd be gushing about the ''four spires piercing the Ashton sky line'. And who could argue?

Our two favourite approaches to BS3 are coming on the Portishead road and Bristol bound on the A370 from Flax Bourton. Braking slowly down Rownham Hill for an evening game was a thrill; the thrill being that first glimpse of the Gate, somewhat similar to that first sight of the sea on your summer hols as a kid. The great sheets of light that those four souring towers of steel threw down onto the ground took your breath away. Awesome.

Coming along the Long Ashton by-pass in daylight was also a joy. Those colossal metallic structures marked out the ground for miles around, lending it a regal air. Sadly, this pruning of the palace means that Ashton Gate now melts almost unnoticed into the surroundings. Perhaps this was the idea behind the rather tacky outbreak of red-roofing. You can't fail to see the red from Bedminster Down, or that other truly heavenly Bristol structure, the Clifton Suspension Bridge. We await (with bad and baited breath) the inevitable introduction of red grass….

Some readers may be scornful of this eulogy. Indeed, another great fiend of this mag, and also a contributor, often accused one of us in particular for his trainspotter tendencies; reason being his passion for the lights, and the analysis of, and scorn for, those at other grounds. But they were something to be thoroughly proud of. Never mind ''we've got more fans than you'', what about '' We've got the best floodlights in the football league''.

UP THE CITY

Missing The Lights Fantastic

Clearly, someone against the Powers-that-BCFC is not content with ridding us of some of the Club Greats from just the last few years (Jordan, Newman, Taylor, Gus Caesar). They're obviously bent on going further back in time on this mad clear-out orgy. If the floodlights had to go, what's next: the Johnny Ambulance bench? The Dolman?? Big John Cox?!?!
   
Next time you're at another ground, take a good look at their pylons. See how awkward and untidy they are. Note the ungainly way they sit with the adjacent stands. And the rows of rusting, ageing lamps that look as though they were assembled by a bloke who's just been on a 'bender' with Jimbo Lumsden and Ralph Min#lne. Then cast your mind back to the wondrous splendour of Ashton's Gate's. The way they soared to a giddy height. Remember how the head of the pylons angled in and downwards slightly, as if like the pylons in the great TV advert that come alive, as if they didn't want to miss the decades of great feats and heroism taking place below them.

Soaring. Towering. Majestic. Four identical Gods. Shaped like a four poster bed fit for a God. Remember, if you will, the Ashton Gate Floodlights. You shone a light of hope on our dark and gloomy lives, 1965-1992.

THE CARL SAUNDERS APPRECIATION SOCIETY
Ciderheaded FACTUS - Just two pints of Taunton traditional puts you well past the legal alcohol limit for driving. Beware the Mighty apple!
Remember the Bountyhunter?